Editor’s Letter: Welcome to Hermit
Contrary to actual Hermit energy, we are (of course) inviting you to our garden.
Solitude & Creativity
While piecing together this editor's letter, we could not avoid the temptation to contemplate our own very recent collective hermit era.
Creative communities are invaluable to our personal and collective growth. But they cannot exist without the time to create and reflect in solitude. In the end, we all must come forth and share our visions to fuel an everlasting domino effect of creative inspiration and courage.
Take a mental walk through our written hermitage. Enjoy our boundless harvest of everything. We hope you feel inspired to keep creating.
xoxo,
Your editors,
Katie, Claude, & Peter
I left at 11am both sleep and bus ticket deprived. The bus ticket wouldn’t even matter. It was finally time to see Villa Tiberius, who knows when I’d be back? I’ve been to Rome three times, and each time I’ve said “this is it” and It never was.
I learned about Villa Tiberius in a Hellenistic art and architecture course in college. It’s a cave. I signed up for the course only because it was a degree requirement and it seemed easier and somehow more useful than learning ancient Greek a semester before I graduated. The professor was harsh and I got a D on my first exam because she couldn’t read my handwriting. Fair enough. She was one of the best professors I ever had – taking time off in the middle of the semester to manage her archaeological dig site in Italy. I loved that class. It’s been almost seven years now. My desire to see Villa Tiberius is solely because of a PowerPoint presentation I saw when I was 21 that I only vaguely remember. If you ask me about it now, all I can tell you is “it’s a cool cave that used to have art in it.”
I spent about an hour wandering around Termini, almost getting on the metro and going somewhere else. The instructions about how to get there were unclear. According to an ancient TripAdvisors comment; I needed two train tickets and four bus tickets. I couldn’t figure out where to get the correct bus ticket. I looked online and was told to go to any tabacchi shop. So I went to any tabacchi shop. The girl at the counter didn’t understand the type of ticket I was looking for. The next one didn’t have any. I gave up. I left the Termini station with two train tickets, two coffees, pre-sliced pineapple, a sandwich, a pear and chocolate pastry, a new copy of Sula, and no bus tickets.
To get to Sperlonga from Rome you need to take the train for one hour and a half; seven stops to Monte San Biagio. Upon arrival, I’d go to the bus stop across the street and take it to Terracina. It would take another hour. From Terracina, it would only be a few stops to get to Sperlonga, and then a long walk to Villa Tiberius. I was later told that it shouldn’t have been so complicated, but that it could’ve been because it was a Sunday, and anyway – who can trust a bus?
I read half of Sula on the train; miraculously staying awake despite sleeping for only three hours that night and after drinking a questionable amount of tequila shots.
The train pulled up to Monte San Biagio. I tripped leaving my seat, my prescription sunglasses making the gray steps blend into the gray train floor. There was no time for twisted ankles. According to Google, I had exactly ten minutes to make it from the train station to the bus. I used five of those minutes to find the bathroom, paying one euro for entry. I swear as I put the money in the slot that I saw a bus leaving. But I still had time. It couldn’t have been mine.
I cross the street facing the backdrop of deep green mountains. Orange and peach houses line the sides all the way up. The town is built like they didn’t realize they could use the flat ground. All that stands before me on the other side of the street is an abandoned infomat and a dilapidated wooden building that looks better suited for a Western than a small town in Italy. There are no cars in the lot. A preschool sits at the base of the large hill or small mountain. White lines indicating the past and (possible) future presence of buses in faded paint are barely visible beneath the dirt and gravel on the pavement. There's a bench with a covering next to this section of the parking lot that looks like it could be a bus stop, but it’s in the wrong spot.
I stood on the sidewalk near the infomat and checked Google Maps again. The bus is delayed. Thirty minutes. Initially, I appreciated the delay. I didn’t have bus tickets and assumed that buying them would be straightforward. I went back to the train station for this. There was a little cafe that looked similar to a tabacchi but wasn’t advertised as one. It’s closed. There is nothing else nearby; only the mountains, the abandoned infomat, the train station, and an empty parking lot moonlighting as a bus station. I was willing to risk a fine. It seemed like I had no other options, anyway.
I sat on the bench. A thirty minute delay turns into an hour. I kept looking around the corner to see if any buses would turn the corner, but I hardly even saw a car. The only person I saw was a man in red dragging something into the forest beyond the preschool. After another 15 minutes, I walk to stand before the train station. There’s no one except a family loading heavy black suitcases into a car and driving away. It’s around three o’clock now. The main road separating me and the train station is busy considering how quiet the bus station was. I wondered how much it would cost to get a taxi. I wondered if it was even possible.
After the second hour, I walk back towards the bench. I stand in the center of the parking lot and eat a dry and thick tuna sandwich. The iced coffee I bought is hot and melted, soaking the pages of Sula in my bag. The three hours of sleep is starting to hit me. I sit down on the bench again and contemplate giving up.
Though the area near the parking lot showed more signs of being a bus stop, Google maps insisted that the infomat was the true location of the bus stop. I walked over there once again, because what else did I have to do, anyway? I wasn’t ready to accept defeat and go back to Rome. I hoped my two hours of waiting would’ve been for something.
I’d been standing there for only a minute when a small woman holding a chihuahua materialized before me. She’d just run across the street. She said something to me in Italian. I didn’t understand, but I was so relieved that I was no longer the only person on the entire planet. I told her I’d pull out the translator. She asked me if I was waiting for the bus to Terracina. A lucky coincidence. I told her yes. She asked more for an update on the bus — did I know where it was, did I know when it would arrive? Her big glasses were too large for her face. I was taller than her.
I’d win in a fight.
We established that we both didn’t know where the bus was. She told me through the translator that it was because it was a Sunday. I don’t know why she didn’t tell me that upfront. She asked me why I wanted to go to Terracina. I explained that I didn't – it was only a stop on my way to Sperlonga.
Her eyes widened. Something about her energy felt off, but maybe my exhaustion was influencing my perception of our interaction. She reached for my phone. From Italian to English, the message read: “My fiance can drive you from Terracina to Sperlonga.” Her face was eager. I’d been wondering whether or not it would be a good idea to hitchhike instead of taking the bus. This was my chance. I’ve always wanted a travel story like this. But I hesitated. It seemed like too much to offer a stranger. I refocused my gaze on the tall grass beyond the bus stop. My complacency was momentarily stronger than my sense of survival and I let out a hesitant “oh sure.” She explained that she was calling him on her phone.
He didn’t pick up, but it became too real anyway. Maybe people who listened to true crime podcasts were actually at an advantage. I could’ve been someone’s new favorite murder. I’d die wearing a Finlandia vodka t-shirt that used to belong to someone’s grandpa and dusty Tevas. I'd have to wear this eternally in a ghostly afterlife. My fanny pack would be stolen, emptied, and dumped on the side of the road. It would be used as evidence.
The realization made me withdraw my acceptance. It was already 4:00 pm anyway, so what’s the point? Villa Tiberius would close at 7:00 pm. By the time I would arrive, I would only have about an hour to explore. I would not be able to explore at all if I were kidnapped and dead in the trunk of some car going down the highway by the coast of Italy.
My no lead to more insistence. Really, it’s not a problem at all. Why would she be so eager to help a tourist by the side of the road? Am I the one being weird about this? Somehow my no turned into another suggestion: I could stay with her grandmother in Sperlonga. An interesting coincidence.
It’s okay to be rude in these situations. But how could I be rude to a tiny woman with a tiny dog?
I used time as my excuse. By this point, it was true. I said I’d go to Naples instead. Through the translator I was told: “But there’s parades and riots going on there.” She says I should go to Sperlonga. She can help. I'm tired.
Fine. I would go back to Rome.
With my coffee soaked copy of Sula and an overwhelming feeling of failure; I used my ticket back to Rome. I saw her again exactly two days later: running through Termini without her chihuahua. I wonder if I could’ve made it had I trusted her. The road to Sperlonga is paved with good intentions, but it doesn’t matter if there’s no bus and a chance of murder. I’ll get there someday.
Road to Sperlonga
by Katie
she/her
dys-personalization
by Wynter Appleford
they/them
today, your body is
reeling,
traveling,
lost.
only yesterday, your body was
a cabin,
a home away from home,
somewhere far off,
north of November,
south of everywhere else.
the rooms a honeyed glow in the eastern sun,
the stars a runway across the indigo sky,
the creaky floors a symphony underfoot,
the air a hopeful exhale of sweet pine.
yesterday, you settled into yourself,
coming to rest on your bones–
the cabin after nightfall–
and tomorrow, it might be summer again,
and you might open the golden wooden door
of your body, step through the amber
threshold, and decide to stay.
but today, your body is
reeling,
traveling,
waiting for the arrival.
wait.
hold your breath and trust:
you will arrive,
you will settle in,
you will be home
again.
(…)
by J. Francis Bowyer
he/him
in a past life you spoke your interactions
into the old atmosphere of the world
before it seemed easier
to skim the surface of another soul
seeking short-term beauty
and grace..
now in your cooled abode
you mull over content like jerky
chewing on the tough pieces with grim determination.
they say a diet of too much meat is bad for the body
but we’re all red blooded
and ravenous.
each day pieced with
tangled wit and ramblings
and things that only make sense perused alone
attempting to connect our bodies through the wireless
and reach and seek meaning beyond the physical
though it’s intimacy we’re truly missing.
how valuable it’s become to translate another
or locate contentment in ourselves
yet still we seek a meaning that we may never know.
The Girl Stood in the Feather Dress
by Cybergirl
she/her
The girl stood in the feather dress, face made up, looking down. The feathers were fuchsia, pink, and an unreal shade of orange, radioactive. With her eyes cast down like that, all she could see were her own bare feet, and the feathers, which in their current dusty state reminded her of gossamer and insect wings.
The man peered at her from below the stage. His figure was dark behind the footlights. “Are you comfortable?” he said. “I just want you to know, you should be comfortable. I want you to be comfortable."
“I think so,” she said.
“Okay, because I’m going to start. Now,” he said, and the shutter clicked.
First one side, then the other.
Insect wings. The texture of the feathers against her skin like the hum of a dragonfly, as long as she kept moving. When she stopped it was like a dead fly on a windowsill.
The man told her what to do. When she was moving it wasn’t terrible. But she always had to stop.
“This lens is really fantastic,” he said. “You wouldn’t believe what it cost. But what’s money to you?”
“Yeah, what’s money,” she said. Her voice was flat but he didn’t notice.
“Okay, hold that.”
“I mean, how much was it,” she said, when he let her move again.
“Like fifteen hundred,” he said. “I expense everything.”
“Oh,” she said, and inside she admitted that he was right; she didn’t know what it meant. What’s money to me, she said to herself, mockingly.
“The side zip. Can you do that?”
“I think so.” She held the feather skirt against her belly and tugged at it. The zipper snagged on her stockings. She was trying not to tear them but the zipper was stuck.
“Hold on,” he said, and hopped up on the stage and helped her with it. He held the zipper straight and frowned in concentration and it came loose, and then he moved her like a doll, and an image flashed into her mind of dance class when she was little, the instructor a woman, helping her, posing her. First position, second position. The image brought a sharp sensation of sadness, though she didn’t know why.
“I never was a very good dancer,” she told him.
He looked up from adjusting the settings on his camera, surprised. “Really? I can teach you how to dance,” he said. “It’s not that hard to learn. With that body I bet you’re a natural."
She looked away from him, at nobody.
"The light’s better up here,” he said. “ You doing okay? Can I get you some water?”
“No, I’m fine. It’s dumb—” she hesitated, “but I was just thinking how much I like dragonflies.”
“What’s dumb about that?” he said, and took the dress from her. “I like dragonflies. They make me think of summer afternoons on the river. You ever go on a float trip?
Do kids still do that?”
“Oh, yeah,” she said. “Like, so many summers. Everybody goes with their church. Do I roll the stockings down, or what?”
“No, leave them,” he said. “They look good like that.”
Inside, she rolled her eyes. What was it with men and stockings? She thought they looked ridiculous. It was just black gauze. Of course he wanted the kind with velvet ribbons at the tops of the thighs. She stared into the dark theater. The lights blinded her so much that she couldn’t tell if anybody was out there.
The camera whirred and she remembered something.
“I thought it was the feathers that made me think of dragonflies,” she said, “but it’s actually your camera, the sound it makes. All the whirs and hums are like dragonfly wings right by your ear.”
“I love that,” he said. “You’re a remarkable girl.”
“Thanks,” she said, but her mind was somewhere else, a blindingly blue summer day, a muddy river.
Hermit
by Ezra Billips
he/they
Holy Hermit, beneath their shell, becomes
Hanged Man,
Hircine-built Hag, and
There’s a trap door in the sun
There’s a cavern in my heart
Where I hide myself away
In silence, will I find the answers I seek?
In stillness, will I find what I need?
In rest, will hope come forth and bleed?
Hermit, breathe your suffering into me
Tranny Voice
by Billie Jane
she/they
If I had to wager a guess, I’d say that the first thing that people tend to notice about me is my voice.
Granted, there are a handful of other things to notice about me upon first glance, I am a hard person to miss: I am a tall, broad-shouldered broad with a face, chest, and hips shaped by nearly three years of hormone replacement therapy and genetics lending to a wide jaw and large head (“large” is the word that I would use to describe my physique, generally- speaking).
However, even with all of that, I think that it is my voice that stands-out. Yes, I am large, but more importantly, I am loud. I have worked customer-service for the better part of a decade, spent my formative years on every stage I could get on, and I am from a loud, loud family. This has left me with a voice that pulls strength from my belly and can be heard clearly across most rooms and cut through most crowds (my own family notwithstanding).
In addition to my volume, I have a unique voice. I do not have a very trained voice, transitionally- speaking (note: for those who may not know, feminizing hormones do not alter vocal folds of folks who have gone through testosterone-induced puberty. It is through vocal- training that trans-fem individuals can adjust their everyday speaking voices to fit what is widely viewed as a “feminine” voice. This training is often long, constant, and incredibly vulnerable, but ultimately offers folks the opportunity to establish a voice that affirms who they are, speaking in bright, airy tones before very suddenly dropping into their lower register in a move of stark juxtaposition that revels amongst the soaring peaks of situational comedy). Though the voice-training that I have done has been extremely moderate, the voice that I have developed for myself is unique in that it is mine. It does not sound like most other people’s voices.
Most of the time, my speaking voice has a bright tone with a forward, lightly rough timbre—a sharp, partially-serrated blade cutting through surrounding noise to find purchase with a directed “Howdy, friends!” I think this surprises most people, both because they’re not expecting to be aurally accosted upon entry to their neighborhood liquor store, and because most people have not used the word “howdy” in their everyday lexicon since 1893.
Upon demanding my presence be known via salutation, I can count the moments of calculation as the unsuspecting stranger begins to piece-together who—or more likely what—has just addressed them.
One. Loud, confident. Masculine. Two. Sharp, piercing, bright. Feminine? Three. Howdy? Who the fuck says “howdy”…? Four. There’s something there, right under the bright edge. Tranny? No. I don’t want to assume… Tranny? Admittedly, most individuals do not make it past the third moment before they remember that they do not care about the voice behind the counter, they just want their pint of Maker’s Mark or fifth of Casamigos (note: I fucking hate Casamigos. It is a perversion of agave spirit crafted exclusively for high-markup sale in a tequila market that exalts “smooth” and “sweet” flavors and achieves them through additions of vanilla and cake batter-like flavorings. This is irrelevant, albeit important).
To the individuals who do find their way to the fourth moment of wonder and calculation: I see you. I always see you. It is a pleasure to be seen by you.
By the time most customers approach the counter to pay for their booze, they fall into whatever auto-pilot they have developed for such interactions. They make small-talk, they might crack a joke or comment about the weather (not a joke, people always talk about the weather), and they offer valedictions automatically-chosen for the person they see in front of them. My voice is no longer a factor. “Thanks, man.” “Thank you, sir. Have a nice day.”
I am a large lady, and most people do not make it past the third moment.
Usually it's women who make it to the point of consideration, who catch themselves before their auto-pilot kicks-in and they go with what they see in the broadest of terms and shapes. It’s usually women who will pause for just a moment to decide which honorific best suits the person in front of them. It’s usually women who make a point to comment on my earrings, my coordinating color palette, or my skin. It is not always women, but it usually is.
I believe—I hope—that my voice stands-out before any other piece of me because it is without question unusual. Not in the way that a tab on a soda can is broken-off in lieu of fulfilling its purpose of revealing its contents to a presumably thirsty possessor, not in an inconvenient or upsetting way, a way that might lead one to act-out in shock or fear of the unknown, the unexpected; but rather in the way that a sculpture of a person might have appendages just longer than they should, that the wrinkles carved so intentionally into their clothes might indicate a recent past that their current- and forever-frozen form cannot elaborate on, a way that makes one ask questions, even if they know they must live without the answers.
I hope that my voice invites curiosity. I hope that my voice invites comfortable discomfort. I hope that my voice is the first thing that people notice about me for as long as I can speak.
To Thine Own Self Be True
by J. Francis Bowyer
he/him
an ink stain on my skin spread from birth, growing over my shoulder and down my arm, turning part of me into a different person.
it sprouted hair and freckles and spoke to me in my sleep in a foreign tongue.
“who do you wish to be?” it whispered gently. my baby thoughts not knowing how to answer such a deep and personal question entering my ear at that young age.
through gray days others pointed their opinions at me in barbed bursts that left me solitary in rooms about an old schoolhouse.
but i was never alone … another version of myself lived on my right shoulder.
“i may be an anomaly, but i’m lucky to have you,” it told me.
and with it there i suppose i never was alone.
Le Roi de Bâtons
by claude joven
he/they
I turned the corner putzing around in the SFMOMA from a room that I thought was going to be the most impactful of the day. Slinking from modern art commentary on the American military-industrial complex, I entered a space that immediately dropped my heart into the pits of my being. The endlessly grieving part. I turned into an gallery of memory. Of community loss. A malaise came over me, I became s l o w e r. I’m not ready to address this. Even more so when I realized I was in San Francisco. You know, the queer capital.
I have been thinking a lot this year about the anguish of our queer ancestors in the wake of the HIV/AIDS crisis. The quietness of the dead. The collective hopelessness. Clandestine, intimate mourning. Uproar in the streets, the churches. Home. Would it ever end? A swift motion of rage and sorrow quickly swept undertow by our collective technological imagination. Something that our parents mutter about not knowing what to say. “I knew someone like you, but I think they died of AIDS.” I have to remind them of our ancestors when they say, “Are you sure you want to be like this? It’s just not the life I wanted you to live.” I have no choice. We had no choice.
We’ve been living “like this.” And time and time again in the 20th century, we proudly, furiously budded our bright, beautiful heads out into the mainstream. Tragically and tirelessly so. Like children's salty noses being overtaken by the ferocity of waves. Anticipating gentle bobbing in the ebbs of free love.
Or the 1920s. I think about the lipstick a modern-girl-tranny would’ve gingerly patted on her never-to-be-a-grandma's lips in her speakeasy powder room. How beautiful she felt in that secret mirror. What's the password?
How many of us died alone? Or achingly lost lovers to AIDS in the hallways to the joyous trickle-down tune. I wanna dance with somebody.
I think about all the missing old-flamboyant-flamingo-clad Floridians we could’ve held, living out their Golden Girls eras. Lost golden years. And how angry I am that the world carelessly took away our queer elders. And how the world's imperial governments led the populous to believe this is the first time in the 2020s that we have existed. Trend as Erasure. Denying our privilege to grief. “This is the first we have seen of this gay shit.” Making our queerness out to be ephemera. Mass-produced in the sweatshops and carted away to the landfill like a shein haul. I’ve thought about this a lot lately.
As I turned the corner into this room, I giggled at the carefully stacked cleaned-out salsa jars filled with little things. I love little things, I love collecting them too. I love glass jars, they are very useful. I kept them too when I had a home. I see tarot cards in the jars: King of Wands, Ace of Pentacles. This feels like home. My eyes playfully survey the other jars. Syringes, a plastic green teddy bear, blue glass marbles (the best color of glass). Green aventurine, turquoise fantasy. Feathers, freedom. Shells, resilience. Two keys, Hekate. Bright and bitter. I see the dust. I start thinking of how many of my relatives look like this now.
I peek over at the placard. Le Roi de Bâton, 1991. I pretend I speak French through titleage too. A medieval-style shrine. Memento mori. Feher’s coming to terms with his HIV diagnosis. I start to sob, inconsolably. So much so that people start taking a closer look at what I’m seeing, realizing and then quickly looking away. Just like how my parents don’t have much to say when I say the government let us die en masse. Looking for a second and seeing garbage stuffed into glass garbage. Continuing to the next heartbreaking piece. I stand there quivering with our collective silent grief, trying to hide my hot tears and continuous snot from pouring as I look at the mundane, triumph of Tony Feher’s life.
I smile and giggle thinking of all my tiny empty glass jars of testosterone I have. I love tiny glass jars. I love my queer trash. I love the stillness of collection. The compartmentalization of grief. I can feel the quiet momentous drippage gazing into the darkness of the central, decaying IV bag. I can feel the pride and passion of the King of Wands' steadfast pursuit of legacy. The endless cycles of life. Living, dying proud. Hoping to survive through the ephemeral endlessness of plastic. That someone will finally find me, collect me, and all the garbage that I carry with me. Adorning chaos with gentle order, memento mori. Pursuing truth anxiously over divinatory cards. A promise that our future after untimely death is treasured and carefully displayed amidst broken mirrors and dying lightbulbs in the saddest corner at the SFMOMA.
We aren’t going anywhere, cunts. Just like plastic. Even in death, we are forever and endless.
MaTilDa!
by Katie
she/her
one metallic twist
announced the last seconds of four walled white silence
i’d have
for months,
each phone call after
beginning with
“do you hear that?”
i stand in silence
before i unlock my door,
interrupted by a voice from uncanny valley
“Matilda?”
every day –
the clank of a bowl
a language foreign to me
and the country i’m in,
smashing through walls and a telephone
all hours of the day.
in june
an open door
all mysteries unveiled:
a bare mattress, empty cage, and two construction workers
and an open window.
no Matilda.
all insignificant –
until i caught myself waiting to hear a question.
Self Love is a Private Universe
by J. Francis Bowyer
he/him
pureness lies in the millisecond
when your body - released of a tension of your own doing-
lets thoughts slip through the dry haze of daily life
and you embrace wholly the beauty of what you
and only you
love the most
as pleasure undulates across your epidermis
flushed and sweaty with the evidence of what makes you human
you revel then
in the honest silent moment of oneself
and the private constellations that hide behind closed eyes.
Internet Interview
ADVENTURES ON OMEGLE INTO THE GREAT INTERNET ABYSS.
by Katie Ft. Ashutosh
Since the dawn of the internet, I’ve loved to talk to strangers. Tumblr and Runescape were my foray into talking to randoms online. You never know what you’re going to get.
My first couple of months living in Prague were occasionally lonely. I’d never lived outside my state, and now I’m on the other side of the ocean. I didn’t have the job I wanted, and I couldn’t figure out how to get my stove to work. I felt weird in my apartment all by myself. So I went on Omegle – for the first time in about a decade. I’ve been fortunate to not meet any figurative or literal dicks. I’ve actually had some great conversations with people from all over the world; from Denmark to Australia.
One of my most memorable conversations was with Ashutosh, who whipped out a guitar and sang an impressive rendition of Creep. We’re now Instagram friends. I reached out and asked him a few questions about life and what brought him to Omegle – which feels (and kind of looks) like a forgotten website.
Location?
Himalayas, India
Describe yourself.
I am from the mountains and I love nature. I prefer living here more than the cities. They tire me. I love to hike/trek/play music/sing/photograph everything that entices me. I work for a sports management company in the US and I am the head of Branding & Compliance there.
What are you seeking on Omegle?
I wanted to talk to like-minded people and just have a chat with people from different cultures around the world.
Best Omegle experience?
I met a rock/metal guitar player and he basically introduced me to a bunch of cool bands and so did I. We had some drinks…we played guitar together and the call lasted for like an hour or so.
What is your Zodiac sign?
I’m a Pisces.
Where did you grow up? Do you still carry a piece of it around with you?
I grew up in different places because my dad was in the armed forces. Yes, I carry each and every one of those places deep inside me and I’d say they definitely played a part in who I am right now.
What is something you want that you have to wait for?
I just want to be at peace and make my loved ones happy.
What happens when we die?
“I know the ones who love us will miss us.” – Keanu Reeves.