Editor’s Letter

Today I’m nostalgic for a rainy day. Brigitte and I roasted up some Ethiopian coffee and sliced up some oranges to share and pair. We turned on Mulatu Astatke’s Tezeta (Nostalgia) - fitting. We sipped in the quiet moment of peace, which was rare for us up to that point. The oranges spritzed and the rain pattered the dirt. The coffee was warm, we were home for the first time.

Every Pisces season, I’m filled with Déjà-vus, Déjà-rêvés and realize the present moments around me melding to my futures ever-changing multi-dimensional reality, whether solemnly or wistfully. Here, I feel illuminated and lucid. This is spring’s song of rebirth to come of the grey foggy nights illuminated by moonglow.

On days like this, in the shadow of full moons, I dream of the future (which up to this point was rare.)

For the years leading up to this, all I knew was fear, a queer future that was cut short. Nothing in sight, reduced to the dustbin of history. Never-ending nightmare cycles of state, family, and interpersonal violence. (And Let’s face it, state violence is far from through.) I dreamed of escaping to somewhere I would be loved unconditionally.

Here, I was nothing. The empty parts of space, not the stars. A line that shakes me to this day from Bob Dylan’s “Masters of War,” which unfortunately resonated as the only future aspiration I could fathom…

You've thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain't worth the blood
That runs in your veins

When our future is so callously threatened and degraded by threats of unjust war and erasure, we are cut off from life itself as we breathe because we are cut off from imagining a future worth living.

And then children are born anyway and you have to start thinking differently. The future has to be worth living, look at the smile on their face. The radiant giggles of tomorrow. You realize the generations of aspirations before and beyond you. They will have to dream of a different world, and so will we.

There’s something morbidly comforting about the people in power crumbling around you. Illusions dispelled. Empires fall around us like leaves from a tree, but with the weight of pianos. Systems so heinously absurd that it makes you laugh that they continued this long. The future of never-ending violence was always impossible! We were born to create, not destroy! It was us with the power all along.

I see history move slow and then fast. I feel a new world sprouting below me fertilized by the blood and tears of those who cried, suffering before us. And I weep with them that they can not see the blooms of tomorrow with us. And I grieve endlessly with the living, the dying, and wandering, displaced. I scream at how unfair the world is. I rattle my bones because I can’t take being human anymore. So much suffering exists in the world around us, all by the undeserving sick hands of colonial violence.

As cruel wars continue to ravage the world and our siblings around us, we must remind ourselves that it’s not normal to feel nothing. Feel everything. Get angry, cause chaos. Don’t try to make sense of madness. Rattle the bones of fragile systems of hate with love instead. “Freedoms just another word for nothing left to lose” and with all illusions lifted from the world before us, there is nothing left to lose. Uproot everything tilling the soil for tomorrow's beautiful seeds.

I see a radiant future where white supremacy is reduced to the sick nothingness it is and is untied from the seams of our future, fragile as cheap thread. I feel the pulse of a tomorrow where we realize that land destroyed by settlers was never meant for them in the first place. I dream of a future where we roam freely, where language and race isn’t a barrier. Where we plant seeds from our loving hearts, hand in hand. A future where mother tongues meet and the illusioned fog of fear’s destruction is lifted from our radiant, persistent planet. Where babies grow into elders and elders into the humble joyousness of children. Cared for and treasured.

Whenever I think to myself, I want to fucking die right now, I realize this is my spirit's desperate cry for a new beginning. We live through thousands of these iterations in our lives as frustrated, crying, ever-expanding beings. On these days, be kind to your tantrumous self. Dance like a little freak. Throw paint at a wall. Wallow with a friend or scream in the street. Identify that tomorrow doesn’t have to be like yesterday, and will not be by nature of continuation.

Open yourself to everything possible, especially a just future. And on days when you don’t know what’s next, you may walk into an exhibit named “Subliminal.” You find a poem by someone with your name from a past life, calling to you to listen…

We are still united
though no one can tell
through the smoke and mirrors
shattered pieces of the memory
of what once was One
indivisible individuals of the sun
ethereal made material
quiet
Om

Listen to the silence and the sacred songs
sing along
no whispers
every voice must be strong
the world is our own
no one can be here alone
part of this land; flesh and bone
and heart pump blood and soul
with eyes to witness and hands to hold
and pass something along
till we are all gone

-excerpt of supporting poem for Resilient Fragments: Echoes of Diaspora by Dana Dajani

Be all that disgusts and delights you (because you will do just that anyway, whether consciously or not)

The future is ours, let's hold tight. Free the world of violent oppression everywhere.

Interconnected in wonderous solidarity,

-claude joven dana (resident pisces & grandpa of the friend group)

co-signed by katie harrison & peter rogers

The Aquarium

by Cleo Varra
she/her

One bright night in a deserted park you saw an aquarium, stretched like a ribbon behind glass. The play of deep sea colors were mirrored on the moonlit waters, and seemingly within reach of your hand…

You saw, filtered through deep water, the silent, glowing cells of a city, like a sleeping nest of ants. You could make out grey gabled houses with high, pointed roofs and arrow windows, overgrown in some spots by shells and by seaweed that gave off a weak, phosphorescent light. You saw a partly underground garden and a small bar, hazy with smoke, emitting a fragrance of plants, spices, and fruit. Each impression rose at you, like islands from fog. They enveloped your senses, or you sunk with them, your eyes open.

How still and glowing the days have grown since then. You watch the sunset rise and subside like a breathless specimen under glass. With the approach of night, it all becomes immense, fantastical and strange. You can see, on distant horizons, every thing remembered: images appear, as in a haze, and quickly fade again. A great many rivers run through these images— and with them, water lilies and red-veined grasses whose long stems sway at the slightest touch. You wander in these spectral, nocturnal places, or you lean back upon your elbows and listen for their sounds, with a terrible thirst.

Enter the Afro-Kosmic Ark of Ben Caldwell: Essential Reading for Dreaming of the Future

by claude joven
he/they

Another future is possible if you can dream it...

Ben Caldwell comes into your life when you need him most. Kaos Theory - The Afro-Kosmic Ark of Ben Caldwell is the most beautiful book I have ever experienced.

Upon opening, it is a delight of the senses. Curiosity, nostalgia, and an Afrofuturist dreamscape. It’s like opening a yearbook for the expansiveness of all that art and community is capable of. It is a powerful testament of a future to believe in spanning over time, space, and feeling, but shining a light on the flourishing expansive universe of Ben Caldwell’s creative legacy.

Kaos Theory is the Theory we all crave. One of experience and lucidity.

Read this now!

Accessible to all generations, Kaos Theory creates an intrigue that makes books feel as magical as they are again. It includes QR codes to Oral Histories, community media wonders, and the expansive work of the visionary artist Ben Caldwell throughout. As author and co-creator Robeson Taj Frazier said at a book talk I attended, he is excited to see how his younger son interacts with the book the same way he finds wisdom in his families old Bible notations.

Kaos Theory is a visually stimulating testament to the alchemy and the profound vision of Ben Caldwell who continues as a community member and educator in Leimert Park. Give this a read or give him a visit at Kaos Network, an artistic sanctuary of conjuring a flourishing tomorrow.

Excerpts

“Ben’s use of media arts to stimulate healing and foster community is best understood as KAOS THEORY, a philosophy of life and creative exploration. Ben believes that there is no easy separation between life, art, and media. Human bodies can become mountains, there is movement in still images, walls can speak. He maintains that media and art at their highest forms are foregrounded by communally constituted ethics and ancestral systems of belief, knowing, and love. These are animated via inspired human expressive exercises and rituals that are utilitarian, imaginative, inventive, and improvisatory, and which echo and reveal the dynamism, dissonance, and truths of physical, ecological, ancestral, and cosmic worlds.

They prompt individual and collective searching and experimentation. And they embolden people to develop malleable capacities of navigating existence and open themselves to wide spectrums of being, perception, sensation, cognition, communication, and becoming.”

-Excerpt from Prelude, Page 14

“KAOS Network is a transformative space, what writer Lynell George described in a Los Angeles Times article as a "media-arts sanctuary." What these people admire most about Ben is his enduring openness to each new generation and their different and new modes of expression, art, and belonging. Inside KAOS Network, their cultures and creativity are treated with value and respect.

They are also encouraged to celebrate their ancestors and understand the power of art and culture as instruments of empowerment and healing. Media arts and creative community, Ben often asserts, are intergenerational resources for imagination and collaboration, and furthermore are weapons and remedies for the souls and spirits of oppressive, war-torn societies. "Artists should have the same role in the community as doctors or lawyers," he insists. "They should be there on the street; you should be able to drop in and see them, interact with them." KAOS Network's mission of using art, media, and culture as sources for community formation and healing extends a long and living tradition in Los Angeles, most centrally among its Black, Brown, and Asian American inhabitants.”

-Excerpt from Prelude, Page 11

“What is KAOS? It refers to the dynamic and disordered-yet interconnected, imbricated, and spiraling- cycles of coexistence, healing, and emergence that are ever-present in Ben's life and that of other people. Of the parts that don't comprise the whole, but which twist, rub against, and blur into one another to fashion unique bends, ripples, bulges, swells, arches. It is, moreover, a framework-albeit a critically masculine one-for the ancestral and cosmic strategies of living, volition, struggle, and loving that this group of alchemist-sentinels have conjured and deciphered.

All while navigating the catastrophe of global racial capitalism and Euro-American empire, as well as the universe's chaotic forms and storms of change. KAOS is a reminder that enveloping many expressive cultures and formations of community and family are patterns of love, kinship, and stewardship.”

-Excerpt From Prelude, Page 17

To experience more visit...

kaosnetworkz.com OR @kaosnetworkz on Instagram

“The creation of KAOS Network is an artistic cultural oasis in Leimert Park Village curating positive shared experiences in BlackDesign (Afrofuturism), music, and technology.” -KaosNetworkz

Kaos Theory can be found at..

Angel City Press

Reparations Club

Mahogany Books

City Lights Bookstore SF and more!

Masopust in Roztoky 2024

by Katie
she/her

Moonmen

by Rinnie
she/her

do you wonder, the way i wonder

the art of ascension is a far more daring undertaking than the art of descension

the asphalt, the dust, the cold alloy shell, the face

the way my own reflection moves half a second behind my motions, it wants to dance, i’d say.

can we dance?

i want to shift and glide like a tide, tidepool, pool, pull me away…

how heavy the sky will be.

They See All

by Katie
she/her

Starry Nights

by Malcolm
he/him

starry nights
i think of you
you're my soaring comet
i wish upon you

i wish that someday,
i shall be graced with your presence again
when that day comes
i will finally be whole, i will be complete

even the cosmos can't prevent this
we are destined to be side by side
we are the moon and the earth
it is fate

so, my angel
do you think of me on these starry nights?
can you sense my heart longing,
longing to be with you?

Crow Boxes

by Chris Grimstad (they/them) & claude joven (he/they)

Small Things from the Memory Files

by Katie
she/her

red wagon

Her house is at both the beginning of the street and the beginning of my tiny 4 year old universe. The first memory is opening bleary eyes in a red wagon, on our way back home. Everyday is like this: peas and mashed potatoes, the Rugrats watched from the bathtub with the door open for a view of the living room, Hot Wheels down a tiny indoor slide. And forbidden cats just beyond my asthmatic reach, captive behind glass doors. I loved that house; dried pampas grass and a striped sofa perched on thick yellowing carpet. Now it is reborn as a multi-million dollar house – the outside sleek, but the bones the same. The pipes are certainly still filled with palmetto bugs, nothing can be done about that. The house is worth nothing without the tiny table filled with Dove chocolate next to her reclining chair, never empty.

I hope the new owners know they’ve got the best ghost in town.

rose incense

The incense stained my apartment; it still happens that I walk into the solitary room and get hit with the deep smell of roses soaked into the wood. I used to love it. When I sense it, I’m eyes wide open again on the first day of the month. Alone for the first time in a new country.

songs for a flight home

A first winter, a last minute international flight, and two funerals are the perfect backdrop for wallowing in self-pity while you eat a forlorn ham sandwich (you don’t even like ham) and listen to Ethel Cain at the Barcelona airport. It feels like you’ve got no business being here, because you only wanted to experience the city by yourself this time. It was undeniably the same, but a little worse. The sun is only out sometimes and you’re back in the hostel bed shortly after dark. Now is not the time for this. Solitude used to feel freeing, and maybe it will again someday. But there was no one to bear witness to man pouring gasoline on the sidewalk and setting it aflame next to the cafe.

not all bad

7 am wake up time for no reason other than wanting to sew or skate or make clay earrings that will inevitably end up in the trash. I have the second worst haircut of my life. I’m cooking a massive pot of vegan mac and cheese (I am not a vegan) that I’ll eat alone over and over and over again; no one in the house wants to eat my creation. My roommate and I are always on a virtual island vacation. We take silent walks around the gray neighborhood to pass the year. I did a lot of scheming then.

It led me somewhere good.

life before and after

It’s got orange and thick waxy skin and it’s my new favorite fruit. I naively thought it was impossible to discover new things at 27. I painstakingly remove the skin with a butter knife several times a week. I have to Google how to eat it, how ridiculous is that? I learned to bite into them like an apple. There’s life before and after trying persimmons and now I am changed. And she brings me one each time we meet, until it’s mid-winter and they’re no longer sold. The last one sat in my fruit basket for weeks, sitting there in solitude looking like rotting gold.

Welcome to Eternity: films that will alter your perception on life and death

by claude joven
he/they

welcome to the beginning of the end

I remember the first time I had an existential crisis like it was yesterday, barely that is. But I was struck by something in my pervy English teachers class at the young age of twelve, two years after my best friend and most of my extended family died. I was raw and lost in the abyss of My Chemical Romance riddled pre-teen melancholy and ready to contemplate the unknown full time.

It was one of those days where the teacher was too hungover to teach so they put on some life-changing movie instead. Ever since I first saw Defending Your Life, I was enchanted by the liminal genre of afterlife contemplation. Bewildered by the beyond. My Christianity was fading faster than my innocence (a close race) and I began to question existence more frequently than crushes.

And if from the tender embrace of bed rot you yearn to feel something longer and deeper than an anxiety scroll but still want a taste of that joyous existential dread we crave, I present you with films you may or may not be familiar with yet. If you were a fan of the movie Soul (but can’t watch while we boycott Disney) or the show The Good Place, feast your mind on these movies wherever you find yourself finding films.

take my hand
to oasis or abyss...

defending your life / 1991

how much of your mind is devoted to fear?

“...Fear is like a giant fog. It sits on your brain and blocks everything - real feelings, true happiness, real joy. They can't get through that fog. But you lift it, and buddy, you're in for the ride of your life.”

nine days / 2020

what makes a life worth living?

“Have you ever reckoned the Earth much? Spend this day and night with me and you shall possess the origin of all poems. I celebrate myself and sing myself And what I assume you shall assume For every atom belonging to me as good belongs to you”

everything everywhere all at once / 2022

are you kind when you don’t know what’s going on?

“The universe is so much bigger than you realize.”

Intensity

by Malcolm
he/him

the intensity of the sea lives inside me

bitter waters bite at my soul, crashing to the cycles of the moon

to be close to someone, to conjoin our souls until one

i pray to the ocean for this

i pray for intensity that brings connection

intensity that attracts change

intensity so strong it threatens to drown me

i pray

i pray to hug the entire world

i pray the entire world hugs me

splashing again, my tears become reservoir’s for healing

i pray

i pray to die forever in these waters so i may live for eternity

cursing my precious stars

by claude joven
he/they

Looking down at my hands in the shower

I see all the loose hairs tangled, flowing through my fingers

And I think about how my dad won't notice when he clears the drain

cause we have the same hair color

But we don't anymore

His hair turns grey with every inch

And the more the T loosens my copper threads

The more he will see his age

and mine

And i think about my first tinder date

And how when i ran my fingers through his long black hair

I caught a grey

Both of us bewildered at it in our hands

Like spaghetti between lady and the tramp

Then I said something I regret

More regrettable than saying thank you too many times

Submissive that i am

Years that it had been

“You’re welcome!”

Both of us appalled in the next moment

Myself more than him

“I worked hard for that grey!” he said

I knew it

And still fucking said it

i treasured that grey

So why the fuck did i say that?

For every grey hair that sprouted upon my head held memories of my proudest days

My university graduation

My nieces tumultuous birth

And the following pangs from her mother of stars

And i think back and wonder

Why the fuck did i say that!

He quipped that he could never get away with a crime

Cause his hair was always falling out

Dark and striking as the night

Wrapping like tight breezes around the blinking cosmos

I didn’t want to say anything else about his goddamn beautiful hair

crammed awkwardly into Katie’s tiny Czech shower

Washing ourselves of our sins

Admitting to nothing

But the passage of time

So I Can Let You In

by Astrid B.
they/them

My Dearest Panna,

I am thinking of you.

You were the blueprint of what to accept; serenades of songs written about me, petal-soft kisses, unrelenting teasing, unrelenting advances.

My first boyfriend. My first bully. My first love.

I knew I loved you. And not in an infatuated teenager kind of way, like a deep-rooted love, an aching love.

A love that began so tender and fragrant, like rosemary that stays on your hands when you touch it. A love that has only recently stopped making me blush.

It was the way You loved Me. The Way you loved me; demanding more, pulling away when I wouldn't, or couldn't, give it to you. Coming back after weeks, or months, or years, clipping rosebuds and pretending all was well. Well, you ruined me. That love ruined me.

I see it in the friends who visit inconsistently, in the enthralled strangers who want to climb the garden walls, too fast, it makes me slow down.

The people I welcome in my garden, they came in slowly, carefully, in order not to wreck me, stepping lightly across the stones, around the prickle bushes,

enjoying the flowers even when they occasionally were poked for their curiosity. Their patience was rewarded with berries we share.

I am angry at the way you pruned me. I am working on it, in therapy, in relationships, in my dreams.

When you reached out, after god knows how long it was this time, you said you would cook for me. It was the first time I told you no. To reconnection. To hurt.

I was working on boundaries and I didn't have the right words, only my righteous feelings.

I was protecting myself from another round of you loving me, holding me, trying to fuck me, kiss me, have me, ripping apart my bushes and telling me what to plant there instead,

haunting me when I wasn't enough for you.

My friendship was never enough for you.

So I said no.

I could have been kinder, softer, given a better explanation, given you the time of day, given you the opportunity to grow.

You said you thought we would be forever. I said I didn't owe it to you.

The more I reflect on that, the more I think it was the wrong season. Had you asked me earlier, I probably would have loved you too much to say no, even though I needed to,

I would have bloomed too early and then frosted before bearing fruit. But you asked when you asked, and I loved me too much to say yes.

And after all this work I have done, digging holes in my garden for a gate, I wish that perhaps I had had the energy leftover to help you work in yours.

Even though I am not around, I hope you are busy planting seeds.

Maybe someday when you're passing by, you will see my garden after all.

Maybe you will see the rosemary; gnarled, strong, and beautiful, bringing bees to the flowers, shade to the strawberries, structure to the garden.

Maybe you will smell it's fragrance, and remember what it is to be tender.

love, astrid

Untitled

by Lauren Flatley
she/her

Last night, she dreamt of a boy she used to know. Lanky limbs. Wiry, red hair. His pale skin, dusted, like hers, by sepia-colored freckles. An identical twin; him and his brother indivisible only by the whim of a computer-generated class schedule. And even then, as if by the same transcendental will that could create two out of one; the brothers often found themselves sitting at the same table in the same class at the same hour.

She had no reason to feel unlucky compared to them, her family made up three times theirs; still, she often fantasized about finding a little more of their same luck. Maybe then she could have her sisters beside her too or a biology lab group she didn’t need to awkwardly squeeze into. A friend to give her reason to linger between class, a date to a dance she never had the courage to attend.

As inseparable as they appeared, the boy she knew was distinguishable from his brother who seemed to have a little bit more of what he did not — taller, faster, funnier. Somehow, that combination seemed intentional.

Sometimes, she would sit with both of them at lunch. It was never as friends, just friendly acquaintances of the same people they happened to know. Surrounding them was a hodgepodge of kids that couldn’t quite find a foothold in any of their high school’s cliches; neither liked enough to be among the elites nor disliked enough to be among the outcasts. Mediocrity’s children. She resented being one of them, but he never seemed to mind.

Did she ever speak to him? Had there been other times their paths crossed? She has a hard time remembering now; moments from over a decade ago already fragmented impressions that whir in diminuendo the more time passes.

And yet, some memories feel too real to be otherwise:

A short, red-headed boy cheering for her at the end of a finish line.

That same one volunteering to be her partner in gym.

Eyes watching her intently as she explained a theory to her literature class about why life was the biggest catch-22 of all.

A voice sounding over the others as she walked across the graduation stage, crossing the threshold into another period of their lives that would prove her theory right.

Perhaps those things were merely dreams, like the one she just had, constructs of her own creations, true only because she wanted them to be.

Can you feel nostalgia for things that never happened or for things you wished that did?

This morning, she thinks more about the boy she used to know. But the only memory that comes to mind is one she wishes was like all her other fragmented impressions, too vague to say with certainty it happened: the memory of a text message from him she left unanswered nearly seven years ago.

She knows it isn’t fair to place blame on herself. She was a different person then, alone and living with a shame that found her not long after she graduated. But her shame, like all shame, was selfish, keeping her to herself, when others, a red-headed boy, may have needed her more. Even if one message couldn’t hold so much chance, she wishes now, with the same yearning she did back then for her sisters to appear beside her at school, that she took it anyways.

And now she will never know.

Little Cunt

by Caitlin Errington
she/her

I'm sitting in an old swimming pool, that hipsters remade into a cafe, and I'm trying to tap into the version of myself that little me was so sure would exist one day

But I can't quite get there.

She would think about the future and not be scared because she was so sure that big me would just KNOW

I still expect to just know one day

But I'm 31 and it hasn't happened yet

Bit embarrassing really

Thought there'd be a home, a man and baby toes by now and a career that felt like mine

Instead there's Dr. Martens and carabinersI'm sitting in an old swimming pool, that hipsters remade into a cafe, and I'm trying to tap into the version of myself that little me was so sure would exist one day

But I can't quite get there.

She would think about the future and not be scared because she was so sure that big me would just KNOW

I still expect to just know one day

But I'm 31 and it hasn't happened yet

Bit embarrassing really

Thought there'd be a home, a man and baby toes by now and a career that felt like mine

Instead there's Dr. Martens and carabiners

I thought I would say yes to anyone who proposed

Made myself promise that I would

But now,

Now it's just a one lesbian comedy show

Good for the plot but not for the picket fence

But..

If I had that picket fence

It would have been at 27, and the morning coffee would be 'His' & 'Hers'

And I probably would have walked outside at age 47 and head planted the pointy end

So maybe it's okay

That I'm lost and don’t know it all

And little me is just happy

That big me is at least GAY.

(please Lord Lesbian Jesus allow me the power to snatch a wife and a career by age 37 amen)

The Orb Reveals All

BREAKING NEWS: THE ORB VISITS OPAL AGE TO ANSWER YOUR BURNING QUESTIONS.

Orb,

Will I ever be a successful writer? Do I have what it takes?

Dear Opal’er

Millions of people have published books, written poetry, written short stories, created fanfiction. Whatever you want to create, you’re one of a million -- and that makes your odds even better. You’re in good company. Someone is bound to love what you write.

It can happen for you, too.

The Orb says yes.

Everything Possible: the queer lullaby of our dreams

tenderly serenaded by the flirtations

by claude joven
he/they

do you remember the first time you heard a barbershop quartet?

charming, harmonized, euphoric

what about the first time you heard a lullaby? a little harder i know

want to try something new?

let us serenade your queer inner child

the little wonderland hiding in the closet wishing to be seen, not knowing if the day would come...

everything possible is a queer lullaby that made me fucking sob the first time i heard it.

it was like all the gay ancestors we lost were singing directly to my queer little heart all at once.

at a pride festival in 1991, they introduced the lullaby by saying...

“Try to imagine how different you might be, and how different the world might be, if more parents would sing lullabies like this to their children..."

@opalagetribune In Memory of Nex Benedict 🌹 everything possible is a queer lullaby that makes me sob every time i hear it. it’s like all the queer ancestors we lost were singing directly to my queer little heart all at once. -@Claude Joven 🦋 The Flirtations 1991 Pride, NY Union Square. Repost form YT @/BettyByte #queerhistory #nexbenedict #queerjoy ♬ original sound - Opal Age Tribune

We have cleared off the table
The leftovers saved
Washed the dishes, and put them away

I have told you a story
And tucked you in tight
At the end of your knockabout day

As the moon sets its sail
To carry you to sleep
Over the midnight sea

I will sing you a song no one sang to me
May it keep you good company

You can be anybody that you want to be
You can love whomever you will
You can travel any country where your heart leads
And know I will love you still

You can live by yourself
You can gather friends around
You can choose one special one

And the only measure of your words and your deeds
Will be the love you leave behind when you're gone.

Some girls grow up strong and bold
Some boys are quiet and kind
Some race on ahead, some follow behind
Some grow in their own space and time
Some women love women
And some men love men
Some raise children, and some never do

You can dream all the day,
never reaching the end
Of everything possible for you.

Don't be rattled by names,
by taunts or games,
But seek out spirits true

If you give your friends the best part of yourself
They will give the same back to you.

You can be anybody that you want to be
You can love whomever you will
You can travel any country where your heart leads
And know I will love you still

You can live by yourself
You can gather friends around
You can choose one special one

And the only measure of your words and your deeds
Will be the love you leave behind when you're gone.
Oh yes, the love you leave behind when you're gone

Today I Ride a Horse

by claude joven
he/they